Sunday, December 16, 2012

Beethoven's Birthday

 

 Peanuts. 16 December 1964
Charles Schulz gained appreciation of classical music as an adult, and began to like it. In his cartoon strip, he revisited some stories. Some saw these set pieces as continuing in-jokes or leitmotifs.  In this way, the reader was re-enforced in knowing the characters. Lucy will always pull the ball away from Charlie's kick. Snoopy is a WWI aviator, a member of the French Foreign Legion, and so are Woodstock and his friends. Snoopy types on top of his house. Linus is the philosopher, and theologian who has a security blanket, and waits for the Great Pumpkin.  Lucy offers counseling for a nickel. Schroeder plays the piano. While Schulz enjoyed Brahms the most, Beethoven's name had more comic sound. Before Schroeder comes into the cartoon, Charlie struggled with Beethoven on violin. Year, after year [27 of 49], Schroeder reminds us of his idol's birthday.

Thursday, December 13, 2012

mocking acquisitiveness

 
 30 November 1960
It is a short jump to suggest, the anticipation before the holiday is for material gain. The cartoon is talking of Beethoven's birthday, but substitute the commercial, material, and secular replacement of Advent in the United States, before the observance of the Nativity of Jesus.

Thursday, December 6, 2012

St. Nicholas

6 December is St. Nicholas's Day. The night before gifts come to children in eastern, and central Europe. In this stamp Nicholas is dressed as an Orthodox, or Byzantine, bishop. He is the special saint for children.

The communists in Slavonic lands tried to replace him with Ded Moroz (Grandfather Frost), and his other ethnic cousins, such as Dedek Mraz, on New Year's Eve. In capitalist America he was similarly replaced with a Christmas season Coca Cola guy.

Tuesday, December 4, 2012

Greyhound

"Kathy," I said as we boarded a Greyhound in Pittsburgh
"Michigan seems like a dream to me now"
It took me four days to hitchhike from Saginaw
I've gone to look for America

Riding that old grey dog was not as romantic as Paul Simon sang it. From the Great Depression, through the War, to after the highways were completed, until perhaps the first oil crisis when Nixon was president it was not too bad. Decay and increased dodginess came ever more apparent. There also were passenger trains for long distance travel, but air travel was less common. Having a car was less necessary, especially for daily travel to work, and shop, and errands for there were streetcars and such. Old people who never learned to drive, college students, military servicemen, and people with little means looking for a new town rode the buses. But at one point, something changed in America. This company was not managed well and sold a few times, employees were not treated well. Terminals were not maintained. Some people that habituated the terminals were rough, crazy, and had criminal interests eager to engage (this was true then too, but it grew). Travellers did not like to be there, and felt discomfort and unease. If i had the inclination, i would not be surprised to see the figures on percentage of people using cross country, and inter-city bus travel to have declined from some high point (but i am not writing for academic publication). Since Osama bin-Laden allowed gwbjr and his minions (and their successors) to add paranoid security, another level of unpleasantness has been thrown at people. Now everyone is a suspected terrorist.
 Louisville 1937
  Cleveland  1948-2012
both layered with some smooth rounding
William Strudwick Arrasmith was the architect of some sixty plus of these puppies. The first being in Louisville Kentucky (where he was based) in 1937 (now gone for more than a generation). He applied the Streamline Moderne style of industrial design to architecture.  Cleveland's was the first completed after WWII in early 1948 and the last in that style and the end of Art Deco. The Louisville depot's exterior was porcelain enameled steel in Greyhound blue, Cleveland's (then the largest) is in limestone with aluminum.

Wednesday, November 28, 2012

Cleveland Trust

 
Cleveland Trust Company 1905-8, previously First Methodist Church was on the site
To-day, the bank was open, it closed in 1996. The second of five Wednesday concerts took place. Cuyahoga County now owns the properties, including the brutal 1971 tower looming over the temple, and is showcasing for sale. The county paid $45 million, and is asking $17 million. 

The huge bank across the street was sold for $18.5 million, two years ago. When it opened in 1924 as Union Trust, it had the largest bank lobby in the world, and the second most office space in the country. It failed in 1933. It became Union Commerce, and then Huntington. The three story columned lobby is now closed. The twenty-one floor building was recently valued at $40 million+.

In the mid-1920s, Cleveland Trust became the 6th largest bank in the United States. At the end of the twenties, came the economic crash. In 1933, the newly inaugurated President Franklin Roosevelt declared a 'bank holiday'. An accounting was held, and it was found that many banks failed. Cleveland Trust was well managed and did not. For over a generation people remembered. They told their children. They told the new residents of Cleveland, those who came from other states, and other countries. These people told their children. They had a strong reputation, until the late 70s (calling themselves 'Ameritrust'), when they called the city's loans in default to spite the young, populist mayor of the city, Dennis Kucinich. In 1991 they merged into Society Bank, which in 1994 merged with Key Bank of Albany.

This temple of commerce was designed by George Browne Post who was the architect of many banks, since the War for the Union, round about New York City. He, and a few others involved in this bank, had work in the Chicago Columbian Exposition. Just before the Cleveland job, he did the Wisconsin state capitol building, and the New York Stock Exchange, that look is here. Much of downtown Cleveland was given over to the Beaux Arts style.
The bank has two pediment sculptures by Karl Bitter (who has outdoor bronzes at the County Courthouse, and did allegorical pediment work at the Wisconsin Capitol). The East Ninth Street side has an eagle and a logo shield. The Euclid side has a mythological allegory on wealth, with bank and building founding dates. The third figure from the left is Hermes/Mercury, who in one of his roles is the god of commerce (he has the winged messenger helmet), and the god of thieves. On the far right, there are chickens.
no one is expected to break the glass ceiling
The bank's lobby is a rotunda some 85' high. It has two mezzanine floors with bronze railings. The top one has thirteen paintings by Francis Davis Millet. What people most remark about in this building is the ceiling. The ocular double glass dome has inner stained glass some 60' in diameter. People only know the name 'Tiffany'. Some book, some record, some relative of a worker, some where, has the name of the maker. High end hotels, and banks about the world around 1900 had such ceilings. This one has 13 spokes, and 13 sections.
Louis Hennepin at Niagara
Now Millet, also painted at the Columbian Exposition (where American mural painting began). He died when the Titanic sank. Here he paints thirteen scenes of the settling of Eastern North America. The paintings are not named. People have wrongly assumed they depict the Middle West. In some of the paintings it looks like 1630s New England, one has a Thanksgiving Pilgrim (Calvinist) preacher. A French explorer (La Salle?) is in another, a Norse long boat is in another. Several have the breaking of the land to agriculture. One has an Indian signing away his land. The only figure easily identifiable is this priest at Niagara Falls. The first European to describe the falls was Father Louis Hennepin, a Franciscan Récollet, who was there in 1678. He travelled with La Salle. 
______________________________
postscriptum 7 December 2012:  WKYC 3 announced the sale of the property. On Tuesday the 11th there will be a new, not disclosed, owner.
postscriptum ii: Parts of this building, inside and out, appears in the 2012 film, The Avengers. The inside of the Cuyahoga County Courthouse, Public Square, Soldiers and Sailors Monument, Terminal Tower are seen. Downtown Cleveland substituted for Cleveland and Stuttgart. 
postscriptum iii: Karl Brunjes of Cleveland Heights, an ex-emergency medical technician and an aspiring historic preservationist working on a master's degree at Ursuline College, to provide definitive proof that Tiffany had nothing to do with the dome.
Through extensive primary research, Brunjes has proven that the stained glass dome is the work of the Philadelphia stained glass firm started by Italian immigrant Nicola D'Ascenzo, whose other works include stained glass windows at the Folger Shakespeare Library and the National Cathedral in Washington, D.C., and Riverside Church in New York.
Evidence of D'Ascenzo's authorship exists at the New York Historical Society, which keeps the account books of the architect George Browne Post, who designed the Cleveland Trust Building, as well as the New York Stock Exchange.
One of the books lists "Sub-contractors" for the Cleveland Trust job, including D'Ascenzo, who is described as responsible for "leaded glass."
Record books of the D'Ascenzo firm at the Philadelphia Athenaeum, perused by Brunjes, include entries recording the Cleveland Trust job, along with photos of the freshly completed project.

Saturday, November 17, 2012

Parma's last picture show

Parma Theater. a.m. 16 November 2012.
The picture show was opened in 1936 to sit 1,500. In recent years it was divided into three screens. The last film was shown two months ago. A change of physical film formatting prevents the showing of many new films. Technology and the "market" have conspired to eliminate stand alone picture shows in the United States. The current owner, recently closed another movie house on Detroit in Lakewood in January 2011, it was replaced by a fast food chain restaurant.

The resulting winds of the recent hurricane, Sandy, moved the one letter on one side marquee, and knocked off a letter on the other. Yesterday, i took this foto, in part, to have an image before the sign deteriorates further. There was some community interest to find a use for the main part of the building. Adjacent to the lobby are two open businesses.

Ridge is the main street (south/north) in Parma, SR3. The near intersection is with Snow Road, the first major east/west intersection after entering Parma from Cleveland.
 Parma Theater. a.m. 17 November 2012. 
 pair of entry doors with smoke black above
Fire investigators arrived. The television reported most of the electric was turned off in the theatre. The bridal seamstress store called for help after becoming aware of the fire around 5 p.m. The fire started in the lobby. 

Tuesday, February 7, 2012

Dickens at 200

Dickens at 200

stained glass portrait at London's Charles Dickens Museum
Dickens was a story teller, who wrote enjoying colorful and descriptive words. He was always popular. His social commentary caused attention to be paid to living conditions, especially in London, for Dickens the City of London was a character. He used comedy to show that an ass was an ass, and sometimes worse. For these reasons he has been looked down upon by certain breeds of critics.

Ebeneezer Scrooge before Christmas is to-day's capitalist, and in the US, the Republican party domestic policy architect. But, Scrooge as a fictional character was written to be redeemed. The sufferings of the poor, and the cruelties they endured was not what 'society' wanted to read. Notice the television soap operas (yes they have been reduced, because cheaper dreck can be aired) are filled with the grand bourgeoisie, and other than their servants, the only 'poor' characters are poor for a month or so. Dickens wrote in installments, and kept his audience's appetites whetted.

In England, Dickens' bicentennial is being observed. One of many ways to be reminded is on BBC News Magazine page which has a 'Dickens of the day' quote this year. (click here too)


Dickens of the day

3 February
“Strip the bishop of his apron, or the beadle of his hat and lace; what are they? Men. Mere men. Dignity, and even holiness too, sometimes, are more questions of coat and waistcoat than some people imagine” -- Dickens takes aim - in Oliver Twist - at officialdom and its pretensions

23 January
"Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle - The orphan Oliver Twist bucks the system at the workhouse, delivering his immortal line

13 January
"A good, contented, well-breakfasted juryman is a capital thing to get hold of. Discontented or hungry jurymen, my dear sir, always find for the plaintiff" - Mr Perker, attorney for Samuel Pickwick, shares his legal knowledge

Friday, February 3, 2012

Upset by piggies

Upset by piggies

For a year, thirty cop cars of the Vermont State Police had this seal on the front doors. As usual, the great detective work in acute observation acumen finally discovered this. The state seal has a cow to the right, and three sheaves of grain to the left. These sheaves are suspicious. A 'spot' on the cow outlines a pig. Naturally, the police are sanctimoniously angered. The tolerance for humour directed at cops, amongst cops, approaches zero as the maximum.